My Father's Tale
Year Composed
2018-19
Instrumentation
full orchestra (3.3.3.3/4.3.3.1/timp+3 perc/2 harps/piano/strings)
Duration
15 minutes
Performance History
-
April 25, 2019
Baldwin Wallace University Symphonic Orchestra, Soo Han
Baldwin Wallace University | Berea, OH
During the summer of 2017, my father fell terribly ill, and he was coughing badly with blood constantly coming out. While the doctors suspected that he might have had lung cancer, they were not exactly sure what was the cause of his illness. After spending weeks in the hospital without making any improvement, my father went back to the town he grew up in—Xiangxi, China, a place that’s full of mystery because of its long history associated with witchcraft—to look for solution. He met Uncle Luo, a person who used to be his colleague, but what people didn’t know about Uncle Luo is that he is also secretly a successor of his family’s witchcraft. Uncle Luo did a simple ritual with my father, claimed that he saw three ghosts possessing my father, and told him that in order to recover, he needs to get rid of them. As much as it sounded absurd to my parents at first, they still gave Uncle Luo’s advice a try, and found a local priest for help. One night, my father woke up with full energy, and said that he had a dream of sending those three ghosts away. Soon after the incident, he was completely recovered, and even the doctors could not explain what happened.
The piece is divided into 8 sections that follow the chronological development of my father’s story. The two main themes in the piece are folk songs from Xiangxi area: the first theme is introduced by off-stage trombone at the beginning, which is a mountain song; second theme also occurs in the opening, but it’s most prominent in VI. Grief and Love, and the tune is from a Xiangxi folk song called Lampstand on the Mulberry Tree.
I also incorporated Xiangxi musical element by using extended techniques on orchestral instruments that imitate folk singer’s singing techniques, which includes sliding between pitches on wind and string instruments, pedal glissando on the harps, and releasing end-of-phrase note by glissando downward to undetermined pitch.
I used several solo instruments to represent different characters: Piccolo/Flute is my mother, bassoon is my father, English Horn represents Uncle Luo, and three clarinets represent the three ghosts. Each character has a distinct motif. Sometimes individual characters play solos over the orchestra, and sometimes different characters are presented simultaneously and interact with each other.